Using Backing Tracks

Not how to get Free Backing Tracks!Do you ever get bored playing your guitar to an electronic beep? Although playing to a metronome is one of the most beneficial things you can do for your playing (in more ways than you can imagine) it can sometimes feel a little unreal and more often than not, uninspiring. When learning how to play guitar solos you usually have something to play to, maybe playing over a CD or jamming your favorite song with a friend, but what happens if you’re just practicing techniques, improvisation or composing something new? There is a solution that I have used for years and it has helped me in so many ways, creatively as well as with timing and technique. It is the use of backing tracks and real instruments to play along to.

Backing Tracks are just what Karaoke is to the singing world; a real band track with one instrument taken out so you can play along as if playing with a full band. You can approach these in two ways – buy pre existing backing tracks or what I did, make your own. It’s easy to make your own but I will warn you now, it can cost a little to set yourself up to be able to record these. Here are some things to consider when choosing either way:

Buying Existing Tracks

Does the music inspire you? There are so many tracks available and not all are created equal. Choose ones that are in your genre and that make you want to pick up the guitar and play along!

Can they be used in multiple ways? Some songs are easier to solo to than others and you want to make your money stretch as far as possible. Try to choose tracks that give you multiple ideas and that allow you to open up notes all over the neck.

How’s the quality of the sound? It’s no use playing to something that sounds like it was recorded in a cave during a hail storm! Choose something that sounds well produced and professional after all, the better it sounds the better you will play to it.

Making your own Backing Tracks

What do you really need in order to do this? Drum Machine and some form of recording device – that’s it! You can always get a lot more stuff than this to make professional recordings but that all depends on your budget, so work out what you really need before going to the guitar shop and you won’t get swept up in the moment (speaking from experience here, going in for picks and coming out with a new guitar!).

Drum Machine – There are some free ones online that will give you a decent sound to play along with and depending on what you want to achieve these may be good enough for you. Next step up is the cheap paid versions such as Quickbeats, these are a good alternative and certainly cheap enough. I personally use a program called Fruityloops and add my own sampled drum sounds in which gives the result I’m after, and that’s what it’s about.

Guitar Recording – There are also a lot of ways to record guitar, starting from cheap programs you can download to physical recording devices, but it all depends on what you want to spend. There are programs that you can buy that have a basic plug-and-play guitar recording unit, and that come with a built in drum machine, which are great for the guitarist wanting it easy, and you can get some great sounds that will inspire you for years to come.

At the end of the day you can spend unlimited amounts on recording equipment that you don’t necessarily need, but choose what suits your needs. And if you’re just learning how to play guitar solos from your favourite band and you don’t want to pay anything, find a free drum program (even a trial version) and create a few beats you can play along with and this will enhance your creativity which in turn will improve all aspects of your playing.

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How to Create Twin Guitar Harmonies

What’s the first thing you think of when you hear the words ‘guitar harmonies’? For a lot of people it’ll be 80’s glam solos and other seemingly outdated styles… but don’t disregard this as it can be a very full and effective sound in most modern styles if played right (and that is the key!). If you’re lucky enough to remember the 80’s solos then you’ll remember that the guitar harmonies were flying hard and fast and were ever so slightly overused, but that was great for that style and time. Now you may have to consider spicing things up a little more in order for it to work, and there is one major way to do this.

If you’ve leaned how to play guitar solos in the 80’s then this can be a rough task to change, but all it takes is wanting to and it can be done. There is one main difference between ye harmonies of old and what is being created now, and that is repetition. Before, it used to be an entire pattern or scale run that was played completely in harmony and sounded somewhat predictable, and that’s why that sound has now dated. Now you can’t really get away with that so much with the new generations of listeners needing everything constantly changing and new (think of the attention spans) so there’s a need to add a mix of harmony parts with other techniques and keep it interesting, and then you’ll separate them from the stereotype of the past.

There are 3 main ways to play a harmony and they are 3rd/ 5th and Octave. The first guitar can play whatever notes you want, and to work out the harmony section it’s simply a matter of working out the note the first guitar is playing and then choosing either the 3rd or 5th note up from that in the scale you wish to play, or choosing the octave (the same note played an octave above or below). It’s really that easy to create a guitar harmony, and this will also help you when learning how to play guitar solos from other bands as the majority will fall into this category. One more thing, when you choose your 3rd/ 5th or octave notes they can be either side of the original guitar notes. If you play a 3rd down from the first guitar, it’s the same ratio but you are just playing the lower harmony part.

Play around with this and think about using it as a way to accent small passages rather than whole scale runs, and you’ll stay clear of the stereotype harmonies – which are still great if that’s the desired effect, but you now have a choice!

Check out this video showing you how to put harmonies to a lead section.

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7 Ideas for Creating Powerful Guitar Solos

Eddie Van Halen - This is How to Play Guitar Solos!If you wish to not only learn how to play guitar solos, but master your own compositions then you’ll need a plan. There’s an old saying that is as useful here as it is in any area of life ‘If you Fail to Plan you Plan to Fail’. If you want to create a guitar solo that is able to move everyone who hears it, then putting yourself in the right mindset and environment when in the writing stage can really pay off. Now, from playing guitar myself for 20 years I know that music just flows, and you can’t really explain where it comes from but it’s just in you – this is true. What I’m talking about is outside of that and works in conjunction with your existing talents, the technique with the inspiration if you will.

I will share 7 ideas here that will help to put you in the right frame of mind, and give you the best chance at getting
inspired and capturing the moment when it arises, and believe me the more you do this the more you will want to do…

Environment – If you’re learning how to play guitar solos it doesn’t matter too much where you are because you’re just replicating someone else’s work. When creating your own on the other hand, it matters a lot. To create you need to feel creative, so find an atmosphere that enhances that side of you.

Improvise – You need to practice techniques regularly and master the fret board by knowing the notes it consists of, but in the creation phase it’s time to be free flowing. There are a few ways to achieve this such as starting with a start & end note and let it flow, but to start I would suggest knowing the progression that you’re playing over and picking common notes and root notes in the chords and incorporating them somewhere, until you get an idea of where you want to take it.

Chunk Down – Break your ideas down into small sections that you can practice individually. This helps you to create
common themes and eliminate and change anything you don’t like at a very focused level.

Record Your Ideas – When practicing this step is not necessary but when writing you’ll find that you come up with so many ideas that you haven’t got a hope of remembering it all. Record it all and you can go back over it after.

Create Themes – I mentioned this earlier, but creating a small section that repeats and hooks the listener back into
something they recognize is a great way to sound professional while creating a memorable piece. Cover bands are popular because they play what people know, and a theme that repeats and flows through not just the solo but the song, can have the same affect.

Try Alternate scales and Modes – When you have found something that you think sounds good but could be better, try the same pattern in a different scale or mode. Sometimes just one note change from doing this can make all the difference to the mood and feel.

Stay in Touch – With the music that is. Get inspiration from wherever you can on a consistent basis whether that means going to gigs, subscribing to band websites and newsletters, videos, magazines, guitar workshops etc… The important thing is to know what is out there and take an active role in your scene.

Be yourself, play what is in you and not just want others want you to play and you’ll do well. Add these 7 steps and learn how to market yourself and you’ll be unstoppable!

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